Paradise Fallen
an installation
Paradise Fallen is a cycle of work that includes photographic, paper-based, performative and video components.
Iles Aux Serpents Serendipity art festival Panjim, Goa Installation at Fem of Colour Conversations at Fem of Colour

Initiated in 2016 on a residency at Cité des Arts on ‘île de la Réunion, Paradise Fallen continued while working through the residency and Academy programs at the RAW Material Company on the peninsula city of Dakar, Senegal in 2017 and 2018.
Paradise Fallen explores conceptual and geographic ambiguities of islands, as they offer
The work plays with narratives that float on the Indian and Atlantic Oceans as personal, emotive, historical and political registers that are courted, teased and provoked.

The body of work includes:
• 3 x videos – one large scale projection, one sculptural 6 channel work and one single channel monitor piece
• 2 x large scale drawings (140 x 140 and 140 x 5m)
• 1 x printed stack of photo litho plates.
The work was initially screened in an abbreviated form in Dakar, Senegal, and thereafter it was installed much more elaborately once in Johannesburg at fem of colour, a multi-discipline platform for engagement
in Newtown, and most recently at the Serendipity Arts festival in Goa, India.
In this cycle of work the land, the city, the landscape and the ocean become more than geographic features, they exceed the limits of location or even the specificity of
The ocean in
The ocean suggests a figure, device, character and narrative that has fixated poets and novelists, from Homer to Conrad to Césaire. It is a figure vast, undefinable and provides the first material substance for linking continents and people across the globe.
In this scholarship of the ocean, the Island emerges as a figure crucial to consider. From Daniel

The island is important as it connects and lays the ground for the exorcism of dreams, desires and fantasies.
Paradise Fallen explores these ideas in a way that pushes the island into
